I. These two in the party! All of it just cements how very firm their foundation is. Emma being supportive about her having friends, and Mary Margaret actually being entirely honest about her feelings of being alone the day before.
And their silent conversations across the room, across the party, about David, that is mostly moving mouths and making faces? Priceless. I love them. I love them so much. They are an actually moving and working a solidified, solid, single unit since that choice at the end of "Hat Trick."
(And even? Her look of apologetic, sympathy for David's obvious plight, but her very to the point, very hestitationless loyalty to MM and MM's right to make that choice and be backed up instantly, especially in all things David now.)
II. Oh, Mary Margaret, you find new ways to steal my heart, every time I think you're done doing it. There are so many more markers of Snow in how she keeps walking away from David and her voice is demanding, unrelenting, honest.
And then everything she said to him. About how he wasn't there. (And adversely, when the world fell away, the only person who was there in the end, was Emma in the end of "Hat Trick" telling her to pick faith, which got us to I)
I felt my tiny heart break for her, and at the same time I wanted to applaud her. Because she's not allowing him to dictate it anymore, not the same ways she did in the beginning. Choosing to say that love is the reason that makes all of this sad, and choosing to keep Leroy's words: About not letting the present tarnish her best memories.
I have so many FEELS about this whole conversation. I respect the hell out of her, and her doing this. Forgiving him, but not forgetting, not being willing to move forward, not being willing to let it ruin her memories, completely willing to acknowledge she understands. And how none of that requires her to do anything else.
(....I just need to know how they get put back together now, too. Please, show? Please?)
III. Emma's scene at the end of the show with Regina. I totally gasped when she used the whole 'you tried to take someone I love' (/almost took Mary Margaret from her for) now I'm taking both of the people I consider family out of your grasp for good.
Oh, Girls. (Oh, the three generations of this family.)
(Laura. Laura. We moved from Family to Love. *flailiest hands*)
Mary Margaret & Emma, Mary Margaret & David, Emma (-Mary Margaret)
And their silent conversations across the room, across the party, about David, that is mostly moving mouths and making faces? Priceless. I love them. I love them so much. They are an actually moving and working a solidified, solid, single unit since that choice at the end of "Hat Trick."
(And even? Her look of apologetic, sympathy for David's obvious plight, but her very to the point, very hestitationless loyalty to MM and MM's right to make that choice and be backed up instantly, especially in all things David now.)
II. Oh, Mary Margaret, you find new ways to steal my heart, every time I think you're done doing it. There are so many more markers of Snow in how she keeps walking away from David and her voice is demanding, unrelenting, honest.
And then everything she said to him. About how he wasn't there. (And adversely, when the world fell away, the only person who was there in the end, was Emma in the end of "Hat Trick" telling her to pick faith, which got us to I)
I felt my tiny heart break for her, and at the same time I wanted to applaud her. Because she's not allowing him to dictate it anymore, not the same ways she did in the beginning. Choosing to say that love is the reason that makes all of this sad, and choosing to keep Leroy's words: About not letting the present tarnish her best memories.
I have so many FEELS about this whole conversation. I respect the hell out of her, and her doing this. Forgiving him, but not forgetting, not being willing to move forward, not being willing to let it ruin her memories, completely willing to acknowledge she understands. And how none of that requires her to do anything else.
(....I just need to know how they get put back together now, too. Please, show? Please?)
III. Emma's scene at the end of the show with Regina. I totally gasped when she used the whole 'you tried to take someone I love' (/almost took Mary Margaret from her for) now I'm taking both of the people I consider family out of your grasp for good.
Oh, Girls. (Oh, the three generations of this family.)
(Laura. Laura. We moved from Family to Love. *flailiest hands*)